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Kendo-the Way of the Sword-is one of the oldest of Japan's martial arts and the one most closely associated with the samurai. Immortalized in the action movies of Akira Kurosawa and in the bestselling novel Musashi, Kendo--originally a form of swordsmanship-has in recent years developed into a popular and highly competitive sport enjoyed by thousands of men and women around the world.

Kendo: The Definitive Guide is the first book in English to provide a practical and truly comprehensive approach to the subject. Everything that the novice needs to know, from basic information about purchasing, wearing, and maintaining essential equipment to competing in international tournaments, is explained in simple, straightforward language. Step-by-step explanations of fundamental techniques to be mastered to attain black belt level are illustrated in easy-to-follow line drawings.

With appendices giving the rules at international competitions and important information about Kendo clubs outside Japan, Kendo is the definitive guide for all non-Japanese Kendoists. A special section about the history and development of this martial art and guidelines for running practice sessions also make it a unique resource for all teachers of Kendo.

The definitive guide includes
- basic Kendo principles and techniques
- official International Kendo Federation regulations
- list of Kendo clubs and national associations around the world

• Sales Rank: #783987 in Books
• Brand: Brand: Kodansha USA
• Published on: 1997-07-31
• Ingredients: Example Ingredients
• Original language: Japanese
• Number of items: 1
• Dimensions: 7.50" h x .80" w x 10.20" l, 1.60 pounds
• Binding: Hardcover
• 173 pages

Features

• Used Book in Good Condition

About the Author

HIROSHI OZAWA is an associate professor at the Science University of Tokyo and Kendo kyoshi, 7th dan. He was born in Saitama prefecture in 1950 into a highly respected Kendo family which was instrumental in incorporating Kendo into the physical education curriculum as a core subject. He makes regular trips abroad to demonstrate and teach Kendo, and also writes books about samurai ethics.

Most helpful customer reviews

61 of 62 people found the following review helpful.
Very good
By J. Leigh
I own both the Complete Kendo book and the Heart of Kendo book.
This book is by far better than the other 2 as far as providing technical information.

Pros:
- The pictures are much better drawn (at least when compared to the other 2 books). Still in some cases a photo would have been more useful.
- The section on kata is presented as numbered steps in 2 columns, one for uchidachi and the other for shidachi. This makes it much easier to understand.
- Many of the movements are described as numbered lists. The other 2 books I looked at just write long paragraphs of text making it very difficult to decipher, even after you've learned the movement in class.
- Goes thru a complete treatment on how to put on the equipment.
- Extensive coverage of waza.

Cons:
- The information in the book is not ordered in the same order as you would learn things in a Kendo class so you will need to hop around chapters.
- Sadly there is no index in this book either. I don't quite understand why in this day and age books don't have indices. All 3 Kendo books I own do not have them.
- The descriptions are rather brief so it reads more like a manual than a book.
- The sections on suburi describe that you should swing "big". So in most of the diagrams the shinai is shown drawn all the way behind and almost touching the person's back (even in shomen suburi). What the book does not say though is that this is intended initially to train beginners to swing big. But when you actually perform a strike you generally aren't supposed to swing that far behind your back. But I am nitpicking...
- Book does not cover equipment maintenance.
- There is some use of terms that are not defined in the book.
- Book does not explain how to put himos onto men.

I would recommend getting this book in addition to one of the other 2 books to fill in some missing gaps. However even after owning all 3 books I find none of them cover the full body of knowledge that a beginner encounters. So these books are no substitute for a real class (obviously).

4 of 6 people found the following review helpful.
More than just technique...
By Robyn Hunter
The path of the sword is not taken lightly. It involves practice, improvment and confidence in the technique. This book is a good way to get you started. It covers basic techniques, ettiquette, terms and some very good advice. I would recommend this book along with "Iai, the art of drawing the sword" by Darrel Craig as these books compliment each other very well.

14 of 14 people found the following review helpful.
Higly Recommended for Beginners.
By Michael F Wilkinson
As a beginner in Kendo this book has definately been helpful. Because the Japanese terms (or words) are used throughout the book it has helped me retain them (I couldn't seem to remember them when learned in the Dojo). It's filled with illustrations, however, I don't think any pictures could illustrate the moves enough. These illustrations combined with what you learn in the Dojo (or on video) should be sufficient, they are definately better than most. In the appendix is good information (and rules) on official Kendo tournaments. I'd say it's a must-have book for anyone new to the sport.
Topics that I would have liked to see, but does not include: There is nothing on the care and maintenance of the Bogu or Shinai, or how to select the proper equipment. There is nothing on testing and advancement (Kyu to Dan), although perhaps this varies from Dojo to Dojo anyway. I would have liked to see a chapter on Iaido as well (however, this is because Iaido is an essential part of our Dojo's Kendo training, this may not be the case with all Dojos).
Overall a great book. If you're looking for a book on Kendo and don't have this one, get it, you won't be sorry.

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This text is ideal for junior-, senior-, and graduate-level courses in computer graphics and computer-aided design taught in departments of mechanical and aeronautical engineering and computer science. It presents in a unified manner an introduction to the mathematical theory underlying computer graphic applications. It covers topics of keen interest to students in engineering and computer science: transformations, projections, 2-D and 3-D curve definition schemes, and surface definitions. It also includes techniques, such as B-splines, which are incorporated as part of the software in advanced engineering workstations. A basic knowledge of vector and matrix algebra and calculus is required.

• Sales Rank: #1487262 in Books
• Published on: 1989-08-01
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.40" w x 6.30" l,
• Binding: Paperback
• 512 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
One of the best books I've read.
By Joseph R. Kennedy
This was one of the coolest technology books I've read, since I loved the topic and it was well written and explained. Please buy it if you want to know the theory behind computer graphics (like how the videocard and monitor interact to draw pixils on the screen and polygons as well) otherwise save your money if you think this will help you MAKE computer graphics. This book is all interesting theory and nothing to do with actually making the graphics themselves, unless you plan on doing it with a 1970's computer or writing your own graphics card bios or driver (or maybe a rewrite of directx?)

10 of 10 people found the following review helpful.
Clear presentation of the mathematics behind computer graphics
By calvinnme
This old book is a very good programming language-independent guide to the mathematics necessary for the implementation of computer graphics. I still consult my copy regularly even now, 14 years after I first purchased it. Chapter one, on computer graphics basics in general, talks about very old hardware technology, and can largely be skipped. Who really needs to know about dot matrix printers and electrostatic plotters these days? Chapter 2 begins the meat of the book, where the 2D matrix transformations of scaling, translation, rotation, and reflection are introduced. Next the author shows how to combine these matrices to perform these operations in series. These ideas are extended to 3D in chapter 3. The latter part of chapter 3 might be of particular interest to students of computer vision, since it does an exceptional job of explaining the mathematics of perspective, vanishing points, projection, and reconstruction of 3D images that so many computer vision books tend to gloss over. Chapters 4 through 6 is where the book is truly excellent, in that it gives the clearest presentation of parametric curves, B-splines, and Bezier curves I have ever seen, and then extends these ideas to full-fledged 3D objects and surfaces. Plenty of diagrams and equations are shown throughout the book, but code implementations are left to the reader. If you are interested in more modern techniques such as quaternions, there is none of that here due to the age of the book. This same author has an entirely separate book that is also excellent, "Procedural Elements of Computer Graphics", for the less mathematical algorithmic portions of computer graphics. Amazon does not show the table of contents, so I do that here for the purpose of completeness:
Chapter 1 Introduction To Computer Graphics 1
1-1 Overview of Computer Graphics 3
1-2 Representing Pictures 3
1-3 Preparing Pictures For Presentation 5
1-4 Presenting Previously Prepared Pictures 6
1-5 Interacting with the Picture 9
1-6 Description of Some Graphics Devices 18
1-7 Storage Tube Graphics Displays 18
1-8 Calligraphic Refresh Graphics Displays 19
1-9 Raster Refresh Graphics Displays 24
1-10 Cathode Ray Tube Basics 30
1-11 Color CRT Raster Scan Basics 31
1-12 Video Basics 32
1-13 Flat Panel Displays 35
1-14 Electrostatic Plotters 42
1-15 Laser Printers 44
1-16 Dot Matrix Plotters 47
1-17 Ink Jet Plotters 49
1-18 Thermal Plotters 50
1-19 Pen and Ink Plotters 52
1-20 Color Film Cameras 56
1-21 Active and Passive Graphics Devices 57
1-22 Computer Graphics Software 58
1-23 References 59
Chapter 2 Two-Dimensional Transformations 61
2-1 Introduction 61
2-2 Representation of Points 61
2-3 Transformations and Matrices 62
2-4 Transformation of Points 62
2-5 Transformation of Straight Lines 65
2-6 Midpoint Transformation 66
2-7 Transformation of Parallel Lines 68
2-8 Transformation of Intersecting Lines 69
2-9 Rotation 72
2-10 Reflection 76
2-11 Scaling 78
2-12 Combined Transformations 80
2-13 Transformation of The Unit Square 83
2-14 Solid Body Transformations 86
2-15 Translations and Homogeneous Coordinates 87
2-16 Rotation About an Arbitrary Point 88
2-17 Reflection Through an Arbitrary Line 89
2-18 Projection - A Geometric Interpretation of Homogeneous Coordinates 90
2-19 Overall Scaling 94
2-20 Points At Infinity 95
2-21 Transformation Conventions 98
2-22 References 100
Chapter 3 Three-Dimensional Transformations 101
3-1 Introduction 101
3-2 Three-Dimensional Scaling 102
3-3 Three-Dimensional Shearing 106
3-4 Three-Dimensional Rotation 107
3-5 Three-Dimensional Reflection 113
3-6 Three-Dimensional Translation 115
3-7 Multiple Transformations 115
3-8 Rotations About an Axis Parallel to a Coordinate Axis 117
3-9 Rotation About an Arbitrary Axis in Space 121
3-10 Reflection Through an Arbitrary Plane 128
3-11 Affine and Perspective Geometry 132
3-12 Orthographic Projections 135
3-13 Axonometric Projections 141
3-14 Oblique Projections 151
3-15 Perspective Transformations 157
3-16 Techniques For Generating Perspective Views 171
3-17 Vanishing Points 179
3-18 Photography and The Perspective Transformation 185
3-19 Stereographic Projection 187
3-20 Comparison of Object Fixed and Center of Projection Fixed Projections 195
3-21 Reconstruction of Three-Dimensional Images 200
3-22 References 206
Chapter 4 Plane Curves 207
4-1 Introduction 207
4-2 Curve Representation 207
4-3 Nonparametric Curves 209
4-4 Parametric Curves 211
4-5 Parametric Representation of a Circle 215
4-6 Parametric Representation of an Ellipse 218
4-7 Parametric Representation of a Parabola 223
4-8 Parametric Representation of a Hyperbola 227
4-9 A Procedure For Using Conic Sections 231
4-10 The General Conic Equations 231
4-11 References 246
Chapter 5 Space Curves 247
5-1 Introduction 247
5-2 Representation of Space Curves 248
5-3 Cubic Splines 250
5-4 Normalized Cubic Splines 267
5-5 Alternate Cubic Spline End Conditions 271
5-6 Parabolic Blending 278
5-7 Generalized Parabolic Blending 284
5-8 Bezier Curves 289
5-9 B-spline Curves 305
5-10 End Conditions For Periodic B-spline Curves 339
5-11 B-spline Curve Fit 346
5-12 B-spline Curve Subdivision 351
5-13 Rational B-spline Curves 356
5-14 References 375
Chapter 6 Surface Description and Generation 379
6-1 Introduction 379
6-2 Surfaces of Revolution 380
6-3 Sweep Surfaces 394
6-4 Quadric Surfaces 400
6-5 Piecewise Surface Representation 408
6-6 Mapping Parametric Surfaces 411
6-7 Bilinear Surface 414
6-8 Ruled and Developable Surfaces 417
6-9 Linear Coons Surface 422
6-10 Coons Bicubic Surface 426
6-11 Bezier Surfaces 435
6-12 B-spline Surfaces 445
6-13 B-spline Surface Fitting 456
6-14 B-spline Surface Subdivision 458
6-15 Gaussian Curvature and Surface Fairness 461
6-16 Rational B-spline Surfaces 465
6-17 References 477
Appendices 481
Appendix A Computer Graphics Software 481
Appendix B Matrix Methods 503
Appendix C Pseudocode 507
Appendix D B-Spline Surface File Format 513
Appendix E Problems 517
Appendix F Programming Projects 527
Appendix G Algorithms 541

3 of 6 people found the following review helpful.
Mathematical Elements for Computer Graphics
By A Customer
While written over 24 years ago, I was hoping this book would give me an understanding of the mathematical basis (if not the current state-of-the art;) ) of computer graphics. Despite (arguable to many) years of university math courses, I found this volume merely humbling, rather than enlightening. If you are more comfortable with fairly advanced mathematical notation and concepts than most, especially relative to geometry, you may find this book useful. I found it only marginally useful -- primarilly as a reference to some concepts I had previously been exposed. Best of luck.

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[T239.Ebook] Free Ebook Human---God's Ineffable Name, by Abraham Joshua Heschel

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Although Abraham Joshua Heschel (1907-1972) is well-known today—as a philosopher, a Jewish theologian and a social activist—Heschel the poet is not. Nevertheless, those who have read his writings in English, spiritual classics like The Sabbath and Man is Not Alone, and have been moved by the power of his prose and the subtlety of his expression, will not be surprised to find that in his youth he had actually published a volume of Yiddish poetry in the heyday of Yiddish literature before the Holocaust. The 66 precious poems of Der Shem Ham’forash—Mentch, published by Indsel Verlag in Warsaw in 1933, remained close to Heschel’s heart all of his life, though few people knew of their existence. It was more than a decade after his passing before most of his admirers learned of them, being treated to a few tantalizing snippets in Samuel Dresner’s anthology, I Asked for Wonder (a line taken from the dedication of Der Shem Ham’forash—Mentch). But what was unknown to most of Heschel’s readers was that a complete translation of his poetry in English already existed in his lifetime; and still more amazing, it had been made by his younger contemporary, Zalman Schachter-Shalomi (b. 1924), who would himself become a towering figure in Jewish and world spirituality, but who at the time was just coming into his own and looked to the older Heschel as a mentor. As we learn in the introduction, the first drafts of these translations were given as gifts to Heschel after his heart attack in 1969 to cheer him through his convalescence (sometimes accompanied by recordings of Schachter-Shalomi reading both the Yiddish originals and the English translations!) Schachter-Shalomi notes that Heschel was satisfied with some of these early drafts and unsatisfied with others. The poems were deeply personal to him and the translations would need to be revised. Unfortunately, Heschel died before he and Schachter-Shalomi could come together to discuss a revision and the translations were put on a shelf. But now, in honor of the 40th anniversary of Heschel’s passing, Schachter-Shalomi has taken them down again and completed his own revision for the modern reader of sacred poetry. Thus, we have in this volume something truly unique—the combined work and vision of two of the 20th century’s greatest Jewish spiritual luminaries and master’s of Yiddish!

• Sales Rank: #2496514 in Books
• Brand: Brand: Albion-Andalus Books
• Published on: 2012-07-11
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .40" w x 5.50" l, .46 pounds
• Binding: Paperback
• 158 pages

Features

• Used Book in Good Condition

About the Author
Abraham Joshua Heschel (1907-1972) was one of the most celebrated and original Jewish thinkers of the twentieth century. Though renowned in his day as a theologian and philosopher, Heschel is also celebrated today for his tireless activism against the war in Vietnam and his work for civil rights with Dr. Martin Luther King Jr. He is the author of numerous spiritual classics, including: The Prophets, The Sabbath, Man is Not Alone, God in Search of Man, and The Earth is the Lord’s. Zalman M. Schachter-Shalomi (b. 1924) is the father of the widely influential Jewish renewal movement and one of the most important spiritual leaders in the world today. He is the author of such acclaimed works as Jewish with Feeling, Spiritual Intimacy, and two authoritative works on Hasidism, A Heart Afire and A Hidden Light.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Precious poems from the heart
By Pouria
Reb Zalman Schachter-Shalomi's revision of these precious poems settle effortlessly deep within me. The lines flow so beautifully and capture the essence of Heschel's work. The lines are filled with longings of a yearning heart and the Lover and the Beloved are no longer distinguishable. This collection of poems have been put together exceptionally well in this very inviting book. A great source of nourishment for the heart and a great gift for all the lovers.

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Cultural views of femininity exerted a powerful influence on the courtroom arguments used to defend or condemn notable women on trial in nineteenth-century and early-twentieth-century America. A. Cheree Carlson analyzes the colorful rhetorical strategies employed by lawyers and reporters in the trials of several women of varying historical stature, from the insanity trials of Mary Todd Lincoln and Lizzie Borden's trial for the brutal slaying of her father and stepmother, to lesser-known trials involving insanity, infidelity, murder, abortion, and interracial marriage. Carlson reveals clearly just how narrow was the line that women had to walk, since the same womanly virtues that were expected of them--passivity, frailty, and purity--could be turned against them at any time. With gripping retellings and incisive analysis, this book will appeal to historians, rhetoricians, feminist researchers, and anyone who enjoys courtroom drama.

• Sales Rank: #3158575 in Books
• Published on: 2008-12-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .90 pounds
• Binding: Hardcover
• 200 pages

Review

“[An] innovative study. . . . [Carlson’s] careful analysis of the impact of these gendered narratives on the outcome of the cases provides a valuable contribution to the discussion of why law fails to embody the gender neutrality it often idealizes. Recommended.”--Choice

“Engaging, informative, and concise accounts of these complicated trials.”--H-Law

"A provocative, well-written, and illuminating work."--The Journal of American History

About the Author
A. Cheree Carlson is a professor in the School of Letters and Sciences at Arizona State University, where she is also affiliated with the women's studies program.

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